On the occasion of Milano Design Week 2026, FIAM Italia presented a new series of products, expressing the brand’s ongoing research on glass through design, innovation and material craftsmanship.
The new pieces were showcased at the Misura Arredamenti showroom, in the heart of Milan, offering visitors the opportunity to experience them up close.
The collections presented during Milano Design Week will continue to be on display at the Misura Arredamenti showroom throughout 2026.
Misura Arredamenti
Via Larga 13 — Milan
Ogiva began as a reflection on tension. Between matter and lightness.
Between weight and lift. Its name refers to the pointed arch, an ancient architectural form capable of transforming gravity into upward thrust.
I wanted to translate that structural principle into a domestic scale, creating a family of tables that operate simultaneously as structure and passage, presence and light.
The glass top, central to FIAM’s material language, is created through glass fusion. It is not neutral transparency, but a crafted surface that filters and modulates light with depth. The fused glass holds luminosity within its body, allowing the metal structure beneath to emerge and recede according to viewpoint and changing light conditions. The perception shifts as one moves around it.
Their opacity intensifies the luminosity of the glass rather than opposing it. Each angle reveals a different profile, subtly recalibrating balance and weight.
Trivium emerges from the meeting of two distinct souls: glass, the company’s beating heart—refined and luminous and wood, a living material that lends solidity and character.
In the triangular trestles, shaped as small domestic architectures, the materials do not overlap but seek one another, held in dynamic balance.
It is a project that speaks of an embrace: between transparency and substance, between vision and grounding.
The goal was to design an upholstered chair capable of naturally fitting into the variety of Fiam environments, while maintaining a precise and recognizable aesthetic identity.
In true Fiam spirit, where each piece stems from an autonomous design reasoning and engages with the space through counterpoint rather than formal resemblance, the Brenta chair is built around a clear graphic gesture: a shaped solid wood side element that connects the seat and backrest in leather or fabric, becoming the structural core. A sharp and essential design move that defines a chair able to stand out while remaining discreet, achieving a perfect balance between rigor and identity.
Still is a mirror that investigates reflection as form, material, and experience. Inspired by the silent surface of alpine lakes and the surrounding landscape, the project translates the calm presence of water into a precise, sculptural gesture, where stillness becomes an active condition rather than a passive state.
At the center of the project is glass, a material defined by transformation.
Heated to a soft state and shaped through controlled processes, it returns to solidity while retaining the memory of movement. This duality informs the design language: a surface that appears stable yet suggests flow, capturing the moment where liquid becomes form.
The mirror operates as an interface between object and environment.
Rather than simply reflecting, it reframes space, fragmenting and recomposing the surrounding landscape through subtle distortions and shifts in perception. Light, context, and the viewer’s position continuously redefine the object, making reflection an evolving event.
Istante transforms the idea of a captured moment into a glass object, where the viewer becomes the protagonist of their everyday life.
A reflective rectangle, an essential and pure form, welcomes the reflection without imposing itself, inhabiting the space with discretion. The frame, with its three-dimensional and material surface, enhances the glass through a custom-made micro-texture that amplifies the tactile density of the material and invites the gaze to linger on its details.
Istante is a mirror that invites contemplation, becoming a witness to the identity, time, and space we inhabit. An architecture of the gaze, it gathers traces of our presence and returns them like a memory just emerging. Like an instant photograph, the mirror reflects the present while simultaneously suggesting its memory, configuring itself as a subtle interplay of identity, time, and space.
Born from the memory of the cosmos — from stardust, gravity, and impact — the Asteroids collection explores the celestial origin of matter and its transformation into absolute stillness.
Each coffee table asserts a strong, undeniable physical presence. The top rests on two sculptural glass elements, creating a dialogue between balance and gravity. These vertical forms are not merely supports, but monolithic anchors in space, capable of maintaining the surface in a state of silent harmony.
Light flows across the solid volumes, spreads along the edges, and reveals subtle variations in texture and reflection.
The Asteroids collection speaks of origin and transformation — of the solid becoming liquid, the liquid becoming form, and form becoming substance.
It is an exploration of essential geometries and material density, where function and sculpture converge in a single silent gesture.
The storage system designed by Studio Klass for Fiam originates from the pursuit of a new balance between materials, geometries, and functionality.
The central element of the project is the thin, essential frame, conceived to visually lighten the structure and highlight the materials. This architectural outline encloses the surfaces with lightness, creating a refined interplay of suspended volumes and enhancing the contrast between the solidity of the top and the transparency of the doors.
The harmony between solids and voids, combined with formal clarity, gives the system a subtle elegance and visual lightness, making it suitable for all contemporary environments.
Onair is an armchair that balances presence and absence, volume and lightness. Designed with refined and understated elegance, it seamlessly integrates into any environment, completing the space without being intrusive.
The legs are replaced by Fiam Italia’s signature curved glass, creating a visual separation between the seat and the floor. This enhances the sense of suspension, as if the armchair were floating in the air.
This subtle interplay of solid form and transparency gives Onair a presence that is both defined and elusive, tangible yet ethereal, where comfort meets the illusion of lightness.
Giacomo Mornico
Irene Sartor
Marco Tonet
Nicola Carpene
Simone De Gasperin
Webkolm
